Testimonials
Luise Brinkmann, Film Director
I have worked with Olga on a number of films and I love working with her very much. In my eyes, she is an exceptional sound editor, who always brings more to the film than just technically high-quality sound. She enriches each project with her ideas and helps the story develop to another level. Always open for my feedback and thoughts, she finds the best solutions to design the soundscapes that work best for each particular scene and storyline. I enjoy working with her and can totally recommend her.
Eleanor Sans, Audio Producer
Olga was an absolute pleasure to work with - from my first contact with her and all through the mix of a six-part series for Audible. She is meticulous but works quickly, and collaboratively offering creative ideas for sound design and timing. Olga’s input lifted my work to the next level and I’m really grateful for her diligence and hard work.
Iain Hunter, former BBC Team Leader
Olga joined our team at the BBC a few years ago. I was impressed by how quick and passionate she was about learning BBC systems and adapting her workflow to radio practices. She is a very reliable team member and a skillful audio practitioner.
Christian Zipfel, Film Director
Olga did a fantastic and highly efficient job on the feature-length documentary „Magadan - City Built On Bones“ and the VR project „ROOMS“. Both projects required an archaic soundscape consisting of nature sounds to generate a cinematic atmosphere that suits the visual aesthetics. These projects were highlighted by curators and festival programmers for their unique and artistic auditive design at the 37. Filmfestival Max Ophüls Preis and the 75. La Biennale di Venezia.
Eliza Lomas, Radio Producer
Working with Olga is a privilege - she has brilliant attention to detail, and goes above and beyond to mix programmes that stand out. Her skills and knowledge are unparalleled. I'm a radio producer who has collaborated with Olga for various radio and podcast projects, for clients such as the BBC and Manchester International Festival.
Layke Anderson, Film Director
It was a privilege to have Olga on board the film, both in terms of clear communication from the get-go, and of course her exquisite ear for detail. Olga’s own ideas contributed to the film beautifully and took it to another level. I am more than happy with the result and would work with Olga again in a heartbeat.